entertainment

OMG it’s 2017

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I haven’t written a blog post in such a long time! Partly from feeling uninspired, personal life got busy and maintaining a dance studio, as well as my photography full time does mean that there is little time for the things I used to do for enjoyment only. Now, most of my activities are twofold – for work as well as play.

Part of re-evaluating my dance goals for 2017 was to re-evaluate this blog. I started it in 2008/9 as a way to document my progress as a new dancer and put thoughts out onto the internet. It was a great source of learning not only about belly dancing, but also about myself. God, that sounds cheesy. But I learned a lot about how I think about things, how I evaluate topics and come to my own conclusions. It’s been a great learning curve.
I did briefly consider taking the blog down, but I get thousands of views a month (sorry for never posting loyal readers!) and I know it’s frustrating when a blog you’ve been following suddenly disappears, never to be referenced again! So I think, instead of totally tanking the blog, I’ll try revive it with new blog posts! At least one a month will be a good starting point. Oh look – I’m already late for January! (what’s new?!) I do think that some of my posts also contain some of my out dated ideas, so I might like to revisit some of that.

I thought I’d like to make this first blog post about what I’ve been up to dance-wise in the last… 2-3 years. Has it really been that long?

To start, our dance studio (Maya Belly Dance Troupe) flourished and then flailed badly. In 2011, we had a huge 3-night show – and it was a great success. It was held in a forest, surrounded by trees and dirt and it was wonderful. In 2015, we started out the year with over 20 regular students. (For our small studio, that’s quite a feat!) We put on another 3-night show at the same lovely venue and this was less successful. We lost money, attendance wasn’t great, and worst of all, I was tired. I loved the performing, but the organising, spending what seemed like endless amounts of money, managing people and students – it was all a bit much. When we put on our show in 2011, we were 3 teachers and could manage the stress a bit better. In 2015, there were only 2 of us. The tide has changed much since 2011.

The overall quality of the 2015 show was amazing, and I do look back on it fondly! But the aftermath of the show was tough. A lot of students left the studio – for various reasons, both good and bad – and that left us with essentially 6 regular students. We had gone from teaching  4 classes a week – all fully attended! – down to 2, barely having enough students for one class. We lost our best dancer directly after the show. It was a tough blow. The other teacher and I had to find inspiration from essentially nothing, and carry on teaching the students that were there.

I am forever grateful to the few dancers who did stick it out – they are the heart and soul of our studio now, and their commitment to the studio and their passion for dance is not unnoticed.

I am also comforted in the knowledge that we are not alone in our studio flourishing and then flailing. I have heard from dance friends all over the world that their studios went through a similar thing recently, and it’s been a difficult hole to get out of. I know that trends come and go, and when Shakira was at her most popular (Hips Don’t Lie got me into class 10 years ago!) the studios were full, busy and thriving. The trend has shifted a few times in the last 10 years, from  belly dance to burlesque to pole dancing, so I know it’s not just us.

The fact that our studio has been going for 10 years is a huge achievement all on its own. In our area alone, we’ve had 4 or 5 different studios start up and then stop in those 10 years.

Despite knowing that we are not totally at fault for students leaving us, I have found it difficult not to take their leave personally. On the rare occasion that you hear why a student has left your studio, you can’t help but wonder “could I have done this differently?” And most of the time, the answer is no. Especially in the last year, I have had to remind myself that I can’t make everybody happy, and as long as I try and have their best interests at heart, I can’t fault myself.

SO… 2017 is the year of the student for me. I am trying very hard to listen to my students wishes and take their ideas and thoughts into consideration. We are having weekly goal setting meetings with our advanced students at the moment and we have put some effort into putting on a small 10 year dance celebration in July, which will not only celebrate the past 10 years, but also the future of the studio – our students!

That just about sums up 2015! It was a hard year, and I think we barely made it through, to be completely honest. In the spirit of keeping things jovial, I will say that 2016 seemed to be the rise of the amazing students – we had a bunch of great beginners at the start of the year, that have since become even better intermediate students. Our advanced class is working incredibly hard this year and we have some of the most dedicated students we’ve ever had, with amazing visions for their future dance.

I’m excited to see what 2017 brings. J

If I have any advice for studios that are struggling: Hold onto your dedicated students, work hard with them and don’t ever forget that they were there week after week. Go and give them a hug, or a chocolate. They deserve it! 😉

 

As part of my 2017 blogging goals, I’d also like to revisit some old blog posts. Any in particular you’d like to see me tackle again?

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Casablanca Nights & Oriental Dreams

It’s already March, and I’ve failed to post these photos and videos from November last year. Oopsy! I kept meaning to, but thought that perhaps I should write something interesting instead of just posting videos and photos.

I have since failed to think of anything interesting to write, and while there are a few vague ideas for blog posts in my head, most of them are rubbish and I get sick of thinking about them for a while.

So instead, I’m going to post tons of photos and videos from the 2 performances in November. I’ll start with Casablanca Nights.

Casablanca Nights was a dance showcase hosted by Anita from Moondance Studios. Anita asked our troupe to perform 3 pieces at the showcase, and of course we were happy to do so! Anita is really a wonderful woman and I always enjoy spending time chatting to her. Our troupe performed 3 pieces, 2 of which we have on video. The third piece we performed was our choreography from the Oriental Festival, which you can see in my previous post.

I performed a solo piece, and I must say, I’m getting quite into performing solos. They may not always be as interesting to watch as group choreographies, but I find such a creative freedom when I perform solo – mostly because if I mess up, nobody knows! This choreography was a piece I created a while ago, and I posted a video of me performing it for the first time. Since then, I’ve forgotten the choreography and now mostly improvise with a few set moves thrown in for stability.

Anyway, here it is, and a SUPER HUGE thank you to Paula for taking the video and to Kash and George for the photos! ❤

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Behold my abs! Seriously though, I’m super proud of my stomach for coming to the table and showing everybody what I’ve got. Yay abs!

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The troupe also performed our 2012 creation, Lunar. Every year we try and learn a very difficult choreography from a dancer. This year we chose to learn from Sera Solstice, and did her choreography from her DVD, Lunar. Sera doesn’t teach the choreography on her DVD, but does all the combos on the DVD and then a performance at the end, so there are some changes that we made to suit us, but roughly followed the choreography.

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Later in November, Leoni (Firefly) and I performed at Layla’s Oriental Nights Hafla. We had a really great time there, and I performed a new dance that unfortunately didn’t get recorded. Hopefully sometime soon I’ll be doing it again, so I’ll have something to show you. 🙂 But there are photos!

Firefly performed a fire dance with her poi and the crowd really enjoyed it – it’s definitely something different and adds an element of danger to the performance!

Crappy cellphone photo before the show!

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And I think that concludes my looong blog post. I hope you enjoyed the photos and video – I’d love to hear your thoughts. Hopefully a better blog post soon. 🙂

x

Cabaret VS Tribal

Tribal VS Cabaret – this is a long and involved debate, with purists and experimental types bashing heads over this argument. Since this is my blog, I am going to give my opinion, so prepare yourself!

To start off with, I am a Tribal dancer, so I am obviously inclined to Tribal and Fusion belly dance. However, I do love to do the occasional cabaret piece and of course, watch great cabaret dancers. We can all agree (I hope) that good dancing is in the end exactly that – good dancing. Just because it may be a different style doesn’t mean that it’s not good. I am not a fan of contemporary style dance. At all. But I can appreciate the skill and dedication that the dancers have. I think we should always strive to do that – appreciate a dancer, be polite and clap at the end of their performance even if it’s not our personal style.

Art is like religion (yes, I said it!) it’s a very personal thing and our life experiences and emotions will drive our receptiveness of a piece.

I don’t believe the “versus” argument. I have seen a world of belly dance where, at a Tribal Hafla, a cabaret performer was cheered on and zagareeted to. I have seen a world of belly dance where dancers from all over the country dance together at festivals, regardless of shape, size, age and dance style.

I have (and always will) believe that there is no versus is dance – people create those arguments based on their own insecurities, their need for validation and are fueled by a lack of education in dance and dance history.

I have compiled a few videos that I think illustrate my thoughts on this segregation in the society.

I wanted to start with a clip of Rachel Brice dancing at Cairo Caravan, but it seems that the video has been removed from YouTube. How odd.

Here is one I have always loved, called “It’s All Bellydance” – I love dances where we get a taste of a bit of everything!

The Bellydance Superstars – I think always good at keeping the balance of Tribal and Cabaret dancers. Here they are, each doing the same thing, at the same time but it looks so different because they have stylized it to suit the style they dance. *YIP!*

Last but not least, this is Zoe Jakes and Kami Liddle at Massive Spectacular. They are dressed slightly cabaret, and do a lot of cabaret inspired moves but they still manage to keep it Tribal! 🙂

Let me know your thoughts – I’d love to see a reply post or “proof” that one is better than the other. Go ahead. Try me. 🙂

x